In-between

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Today I was thinking about the fact that this week we are in-between. In-between the old year and the new. I feel sort of suspended between what was and what will be. On Pause. I realized this is often when I create my most wonderful photos. On a smaller scale, in the moments in-between staying and leaving, between trying and not trying, I get a glimpse of something I had not been looking for or expecting. Suddenly something beautiful is right in front of me if I just stand still, suspend my judgment, and rest in this moment. Like the silence between two notes this may only last an instant but the feeling is timeless. I treasure these photos beyond all others.

I hope you have many moments this year of being and seeing in-between.

Suzanne

Photograph the essence not the incidental.

Photograph the essence not the incidental.

Leading a class on photographing blossoms in Boston the other day I encouraged students to reveal the spirit of the thing, not just the physical reality. As Robert Henri says, “Low art is just telling things; as, There is the night. High art gives the feeing of the night. …. be interested not in the incident but in the essence of your subject.

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Seeing One Thing Becoming Beauty

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Spring is just arriving in Boston. Slowly, slowly, small buds are appearing and possibilities are emerging. I really love to photograph nature in this state. What will it become? Will this bud be a leaf, a blossom, a branch? It does not really matter. I just want to see it for what it is in this moment. I won’t be back on this path again so what it is becoming will remain unknown to me. I only know what it is today. And that is more than enough.

I love to isolate my subject so I can really focus attention on one thing at a time. To do this I simply stop, center, start. Stop and appreciate what is right in front of me. Center my breath and attention, and then start to focus my camera on the simplest subject possible. Try using a shallow depth of field setting like f4.5 so the background will blur out. Remember, you need to have your camera close to the subject and the subject far from the background. It is also helpful to use manual focus since the camera may have difficulty locking on a single stick.

I love the subtle gradation of color in the background of this image. There were thousands and thousands of sticks just like this one that I blurred into a soft background. Next time you are in the middle of many flowers, many trees, many people, see if you can choose just one and simply see that one living thing becoming beauty before your very eyes. Magic.